Alfaleith.org - The Story of Siegfried

All nations have had their myth-stories; but, to my mind, the purest and grandest are those which we have received from our northern ancestors. They are particularly interesting to us; because they are what our fathers once believed, and because they are ours by right of inheritance. And, when we are able to make them still more our own by removing the blemishes which rude and barbarous ages have added to some of them, we shall discover in them many things that are beautiful and true, and well calculated to make us wiser and better.

It is not known when or by whom these myth-stories were first put into writing, nor when they assumed the shape in which we now have them. But it is said, that, about the year 1100, an Icelandic scholar called Saemund the Wise collected a number of songs and poems into a book which is now known as the "Elder Edda;" and that, about a century later, Snorre Sturleson, another Icelander, wrote a prose-work of a similar character, which is called the "Younger Edda." And it is to these two books that we owe the preservation of almost all that is now known of the myths and the strange religion of our Saxon and Norman forefathers. But, besides these, there are a number of semi-mythological stories of great interest and beauty,--stories partly mythical, and partly founded upon remote and forgotten historical facts. One of the oldest and finest of these is the story of Sigurd, the son of Sigmund. There are many versions of this story, differing from each other according to the time in which they were written and the character of the people among whom they were received. We find the first mention of Sigurd and his strange daring deeds in the song of Fafnir, in the "Elder Edda." Then, in the "Younger Edda," the story is repeated in the myth of the Niflungs and the Gjukungs. It is told again in the "Volsunga Saga" of Iceland. It is repeated and re-repeated in various forms and different languages, and finally appears in the "Nibelungen Lied," a grand old German poem, which may well be compared with the Iliad of the Greeks. In this last version, Sigurd is called Siegfried; and the story is colored and modified by the introduction of many notions peculiar to the middle ages, and unknown to our Pagan fathers of the north. In our own time this myth has been woven into a variety of forms. William Morris has embodied it in his noble poem of "Sigurd the Volsung;" Richard Wagner, the famous German composer, has constructed from it his inimitable drama, the "Nibelungen Ring;" W. Jordan, another German writer, has given it to the world in his "Sigfrid's Saga;" and Emanuel Geibel has derived from it the materials for his "Tragedy of Brunhild."

And now I, too, come with the STORY OF SIEGFRIED, still another version of the time-honored legend. The story as I shall tell it you is not in all respects a literal rendering of the ancient myth; but I have taken the liberty to change and recast such portions of it as I have deemed advisable. Sometimes I have drawn materials from one version of the story, sometimes from another, and sometimes largely from my own imagination alone. Nor shall I be accused of impropriety in thus reshaping a narrative, which, although hallowed by an antiquity of a thousand years and more, has already appeared in so many different forms, and been clothed in so many different garbs; for, however much I may have allowed my fancy or my judgment to retouch and remodel the immaterial portions of the legend, the essential parts of this immortal myth remain the same. And, if I succeed in leading you to a clearer understanding and a wiser appreciation of the thoughts and feelings of our old northern ancestors, I shall have accomplished the object for which I have written this Story of Siegfried.

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