Alfaleith.org - Rydberg's Teutonic Mythology

What Heimskringla tells about Odin, that his spirit could leave the body and go to far-off regions, and that his body lay in the meantime as if asleep or dead, is told, in the middle age, of Zoroaster and of Hermes-Mercurius.

New Platonian works had told much about an originally Egyptian god, whom they associated with the Greek Hermes and called Hermes-Trismegistus - that is, the thrice greatest and highest. The name Hermes-Trismegistus became known through Latin authors even to the scholars in the middle age convents, amid, as a matter of course, those who believed that Odin was identical with Hermes also regarded him as identical with Hermes-Trismegistus. When Gylfi sought Odin and his men he came to a citadel which, according to the statement of the gatekeeper, belonged to king Odin, but when he had entered the hall he there saw not one throne, but three thrones, the one above the other, and upon each of the thrones a chief. When Gylfi asked the names of these chiefs, he received an answer that indicates that none of the three alone was Odin, but that Odin the sorcerer, who was able to turn men's vision, was present in them all. One of the three, says the door-keeper, is named Hár, the second Jafnhár, and the one on the highest throne is Þriði. It seems to me probable that what gave rise to this story was the surname "the thrice-highest," which in the middle age was ascribed to Mercury, and, consequently, was regarded as one of the epithets which Odin assumed. The names Third and High seem to point to the phrase "the thrice-highest". It was accordingly taken for granted that Odin had appropriated this name in order to anticipate Christianity with a sort of idea of trinity, just as Zoroaster, his progenitor, had, under the name Mithra, in advance imitated the Christian usages.

The rest that Heimskringla and the Younger Edda tell about the king Odin who immigrated to Europe is mainly taken from the stories embodied in the mythological songs and traditions in regard to the god Odin who ruled in the celestial Valhal. Here belongs what is told about the war of Odin and the Asiatics with the Vans. In the myth, this war was waged around the walls built by a giant around the heavenly Asgard (Völuspá, 24). The citadel in which Gylfi finds the triple Odin is decorated in harmony with the Valhal described by the heathen skalds. The men who drink and present exercises in arms are the einherjes of the myth. Gylfi himself is taken from the mythology, but, to all appearances, he did not play the part of a king, but of a giant, dwelling in Jotunheim. The Fornaldar sagas (Hversu Noregur byggðist 1) make him a descendant of Fornjótr, who, with his sons, Hlér, Logi, and Kári, and his descendants, Jökull, Snær, Geitir, &c., doubtless belong to Jotunheim. When Odin and the Asas had been made immigrants to the North, it was quite natural that the giants were made a historical people, and as such were regarded as the aborigines of the North - an hypothesis which, in connection with the fable about the Asiatic emigration, was accepted for centuries, and still has its defenders. The story that Odin, when he perceived death drawing near, marked himself with the point of a spear, has its origin in the words which a heathen song lays on Odin's lips: "I know that I hung on the wind-tossed tree nine nights, by my spear wounded, given to Odin, myself given to myself" (Hávamál, 138).

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